The Veranda · About
I am Lola — Nigerian by origin, American by address, and a writer everywhere in between.
Lola Os
Editor in Chief · The Veranda
By day I feed people. By the rest of the time — the early mornings, the late nights, the spaces between service — I write. Not because writing is a side hustle or a hobby I am getting around to. Because I am a writer the way some people are left-handed. It is just how I am made.
I am Nigerian — Queen's College Lagos, class of 2001. The kind of school that teaches you to hold yourself a certain way. I took that with me when I came to the US, along with everything else that is simply part of how I move through the world. I have been taking up space ever since.
I am a voracious reader — the kind who finishes a book and immediately reaches for another one. Music is how I think. I travel whenever the world lets me, and I come home changed every single time. I am currently pursuing an MS in Artificial Intelligence at CU Boulder, because the intersection of human creativity and machine intelligence is one of the most fascinating places to stand right now — and I would rather understand it than be afraid of it.
"I would rather create than consume. That instinct is behind everything I have ever built."
I am sapiosexual — which means intelligence is the most attractive thing a person can walk into a room with. Not credentials. Not degrees. The kind of mind that asks real questions, holds uncomfortable ideas, and can change direction when the evidence demands it. That quality in a person makes me stop everything.
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I built The Veranda because I kept looking for a magazine that spoke to me the way I actually am — Nigerian, living in America, faith-grounded, ambitious, literary, done performing struggle — and I couldn't find it. So I built it. That is what I do. When something doesn't exist and I can feel its absence, I make it.
The Veranda is not just a website. It is a media brand for Black women who are building beautiful lives on purpose. Women who read real books. Who love deeply and think carefully. Who know that rest is not laziness and that joy is not a reward you earn after enough suffering. Women who are, as the tagline says, done performing struggle.
Based
United States
Nigerian · Queen's College, Class of 2001
By Day
Chef & Event Planner
The Grub Republic
Currently Studying
MS in Artificial Intelligence
CU Boulder via Coursera
Published
4 KDP Titles
Under Whistling Beautiful
About The Veranda
In Nigerian culture the veranda is where everything real happens. Not the formal sitting room you clean for guests — the veranda is where you actually live. Where stories get told after dark. Where food is passed around without asking. Where rest is not earned. It just is. That is the energy this magazine was built on.
Story
Serialized fiction, short stories, literary essays. Lethal Lace, the Overheard series, and everything still being written.
Love & Power
Real conversations about love, desire, patterns, and the work of building a life that doesn't require you to shrink.
Red Lipstick Economics
Rest, food, travel, culture. The soft life not as aspiration but as daily practice — chosen, defended, lived.
The Pepper Gazette
Hot takes, discourse, Nigerian pop culture commentary. The conversation your group chat is already having.
The Portfolio
The Veranda is one room in a larger house.
The Grub Republic
Catering and events. Large-scale occasions — weddings, corporate events, private dining — executed with precision and fed with intention. The place where feeding people is taken seriously as a craft.
Whistling Beautiful
The fiction pen name. Four published titles on KDP — Diamond Dynasty, The Paternity Test and Other Stories, No Loyalty After Midnight, and No Morning After. Noir, romance, and the complicated territory between.
The Veranda
This magazine. A media brand for Black women living beautifully on purpose — fiction, essays, culture commentary, advice, and community. Come sit. Stay a while.
Come Sit